Sisterhood for Human Rights // The festival

Fest
19:00 Uhr bis 00:30 Uhr
Sisterhood for Human Rights // The festival
โœ•

Info

๐™‰๐™ค๐™—๐™ค๐™™๐™ฎ ๐™˜๐™๐™ค๐™ค๐™จ๐™š๐™จ ๐™ฌ๐™๐™š๐™ง๐™š ๐™ฉ๐™๐™š๐™ฎ ๐™–๐™ง๐™š ๐™—๐™ค๐™ง๐™ฃ, ๐™–๐™ฃ๐™™ ๐™–๐™ก๐™ข๐™ค๐™จ๐™ฉ ๐™š๐™ซ๐™š๐™ง๐™ฎ๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™š๐™ก๐™จ๐™š ๐™›๐™ค๐™ก๐™ก๐™ค๐™ฌ๐™จ ๐™›๐™ง๐™ค๐™ข ๐™ž๐™ฉ: ๐™ฉ๐™๐™š ๐™ก๐™–๐™ฃ๐™œ๐™ช๐™–๐™œ๐™š ๐™ฌ๐™š ๐™จ๐™–๐™ฎ ๐™„ ๐™ก๐™ค๐™ซ๐™š ๐™ฎ๐™ค๐™ช ๐™ž๐™ฃ, ๐™ฌ๐™๐™–๐™ฉ ๐™ฌ๐™š ๐™–๐™ง๐™š ๐™–๐™จ๐™๐™–๐™ข๐™š๐™™ ๐™ค๐™›, ๐™ฌ๐™๐™š๐™ฉ๐™๐™š๐™ง ๐™ฌ๐™š ๐™˜๐™–๐™ฃ ๐™ฌ๐™–๐™ก๐™  ๐™๐™ค๐™ข๐™š ๐™–๐™ก๐™ค๐™ฃ๐™š ๐™–๐™ฉ ๐™ฃ๐™ž๐™œ๐™๐™ฉ.
187 ๐™ฃ๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™–๐™ก๐™ž๐™ฉ๐™ž๐™š๐™จ ๐™ก๐™ž๐™ซ๐™š ๐™ž๐™ฃ ๐™‡๐™ช๐™ญ๐™š๐™ข๐™—๐™ค๐™ช๐™ง๐™œ, ๐™ฎ๐™š๐™ฉ ๐™ฌ๐™š ๐™ ๐™ฃ๐™ค๐™ฌ ๐™–๐™ก๐™ข๐™ค๐™จ๐™ฉ ๐™ฃ๐™ค๐™ฉ๐™๐™ž๐™ฃ๐™œ ๐™ค๐™› ๐™š๐™–๐™˜๐™ ๐™ค๐™ฉ๐™๐™š๐™งโ€™๐™จ ๐™ž๐™ฃ๐™ฃ๐™š๐™ง ๐™ก๐™ž๐™ซ๐™š๐™จ. ๐™Ž๐™ž๐™จ๐™ฉ๐™š๐™ง๐™๐™ค๐™ค๐™™ ๐™›๐™ค๐™ง ๐™ƒ๐™ช๐™ข๐™–๐™ฃ ๐™๐™ž๐™œ๐™๐™ฉ๐™จ ๐™ž๐™จ ๐™ฉ๐™๐™ง๐™š๐™š ๐™™๐™–๐™ฎ๐™จ ๐™ค๐™› ๐™™๐™ค๐™˜๐™ช๐™ข๐™š๐™ฃ๐™ฉ๐™–๐™ง๐™ž๐™š๐™จ, ๐™– ๐™ฅ๐™ช๐™—๐™ก๐™ž๐™˜ ๐™ฉ๐™–๐™ก๐™ , ๐™– ๐™›๐™ž๐™ก๐™ข-๐™ฅ๐™–๐™ž๐™ฃ๐™ฉ๐™ž๐™ฃ๐™œ ๐™ฌ๐™ค๐™ง๐™ ๐™จ๐™๐™ค๐™ฅ, ๐™– ๐™œ๐™–๐™ฉ๐™๐™š๐™ง๐™ž๐™ฃ๐™œ ๐™–๐™ง๐™ค๐™ช๐™ฃ๐™™ ๐™™๐™š๐™–๐™ฉ๐™ ๐™—๐™ช๐™ฉ ๐™–๐™ก๐™จ๐™ค ๐˜ฟ๐™… ๐™จ๐™š๐™ฉ๐™จ.
๐˜พ๐™ค๐™ข๐™š ๐™จ๐™ž๐™ฉ ๐™ฉ๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง, ๐™ก๐™ž๐™จ๐™ฉ๐™š๐™ฃ ๐™ฉ๐™ค ๐™จ๐™ฉ๐™ค๐™ง๐™ž๐™š๐™จ ๐™ฎ๐™ค๐™ช ๐™ข๐™ž๐™œ๐™๐™ฉ ๐™ฃ๐™š๐™ซ๐™š๐™ง ๐™ค๐™ฉ๐™๐™š๐™ง๐™ฌ๐™ž๐™จ๐™š ๐™๐™š๐™–๐™ง, ๐™ข๐™ค๐™ซ๐™š, ๐™˜๐™ง๐™š๐™–๐™ฉ๐™š ๐™–๐™ฃ๐™™ ๐™ฉ๐™–๐™ก๐™  ๐™–๐™—๐™ค๐™ช๐™ฉ ๐™ฌ๐™๐™–๐™ฉ ๐™˜๐™ค๐™ข๐™š๐™จ ๐™ฃ๐™š๐™ญ๐™ฉ.

๐—™๐—ฅ๐—œ๐——๐—”๐—ฌ ๐Ÿญ๐Ÿฏ๐˜๐—ต ๐—ก๐—ข๐—ฉ๐—˜๐— ๐—•๐—˜๐—ฅ (๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ - ๐Ÿฌ๐Ÿฌ:๐Ÿฏ๐Ÿฌ)
๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ // ๐—ข๐—ฝ๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น
Opening address by Daliah Scholl, Deputy Mayor for Gender Equality, Diversity and Intercultural Living Together
๐Ÿญ๐Ÿต:๐Ÿฏ๐Ÿฌ - ๐Ÿฎ๐Ÿฎ:๐Ÿฌ๐Ÿฌ // ๐—ง๐—ต๐—ฒ ๐—น๐—ถ๐—ณ๐—ฒ ๐—ผ๐—ณ ๐—œ๐˜ƒ๐—ฎ๐—ป๐—ป๐—ฎ ๐—ฌ๐—ฎ๐—ฝ๐˜๐˜‚๐—ป๐—ฒ ๐—ฏ๐˜† ๐—ฅ๐—ฒ๐—ป๐—ฎ๐˜๐—ผ ๐—•๐—ผ๐—ฟ๐—ฟ๐—ฎ๐˜†๐—ผ ๐—ฆ๐—ฒ๐—ฟ๐—ฟ๐—ฎ
Movie projection followed by open conversation with Renato Borrayo Serrano, Daria Sidorova & Franziska Peschel
80 min ยท Russia, Norway, Estonia & Finland ยท 2021
Russian & Nenets (original language) with English subtitles
16+ // Domestic and verbal abuse, child distress, animal death, child loss
Twenty-six-year-old Ivanna, a Nenets mother of five, is trying to sustain her family on the Arctic tundra as climate change destroys their reindeer herd. When she leaves the nomadic life for the Siberian city of Dudinka, the promise of stability collides with poverty, an absent and violent husband, and the demands of raising her children alone. Filmed over four years, Renato Borrayo Serranoโ€™s intimate documentary follows a woman determined to shape her own future.
๐Ÿฎ๐Ÿญ:๐Ÿฏ๐Ÿฌ - ๐Ÿฌ๐Ÿฌ:๐Ÿฏ๐Ÿฌ // ๐——๐— ๐˜€๐—ฒ๐˜ @๐—ฅ๐—ฎ๐˜๐—ฒ๐—น๐—ฎ๐—ฐ๐—ต ๐˜„๐—ถ๐˜๐—ต ๐——๐— ๐—ฌ๐—ผ๐—ป๐—ถ

๐—ฆ๐—”๐—ง๐—จ๐—ฅ๐——๐—”๐—ฌ ๐Ÿญ๐Ÿฐ๐˜๐—ต ๐—ก๐—ข๐—ฉ๐—˜๐— ๐—•๐—˜๐—ฅ (๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ - ๐Ÿฌ๐Ÿฌ:๐Ÿฏ๐Ÿฌ)
๐Ÿญ๐Ÿฐ:๐Ÿฌ๐Ÿฌ - ๐Ÿญ๐Ÿฒ:๐Ÿฌ๐Ÿฌ // ๐—›๐—ข๐—จ๐—ฆ๐—˜ ๐—ช๐—œ๐—ง๐—› ๐—” ๐—ฉ๐—ข๐—œ๐—–๐—˜ ๐—ฏ๐˜† ๐—ž๐—ฟ๐—ถ๐˜€๐˜๐—ถ๐—ป๐—ฒ ๐—ก๐—ฟ๐—ฒ๐—ฐ๐—ฎ๐—ท & ๐—•๐—ถ๐—ฟ๐˜๐—ต๐—ฒ ๐—ง๐—ฒ๐—บ๐—ฝ๐—น๐—ถ๐—ป
Movie projection followed by open conversation with Kristine Nrecaj, Birthe Templin & Franziska Peschel

87 min ยท Germany ยท 2024
Albanian (original language) with English subtitles
16+
HOUSE WITH A VOICE tells the story of six Burrneshas who, for different reasons, have decided to take on the ...Mehr anzeigen social role of men. They have done this to circumvent patriarchal structures, to avoid misogynistic attacks, to support the family economically, to avoid compelled marriage and to be free. Our characters communicate with us intimately as they talk about their lives and draw us close to their personal journey. They speak about freedom and oppression, about the promise of sacrificing their lives for the sake of their familiesโ€™ survival. But also about the breaking of gender barriers and the power of the human mind to decide who we want to be.
The film turns stereotypes and projections of gender discussions upside down. The Burrneshas expand our awareness of human life and its universal conditions but in the end their story shows that the essences of life, which are identified as female, are held as less valuable, even less worth living. And that this remains so, worldwide.

๐Ÿญ๐Ÿฒ:๐Ÿฌ๐Ÿฌ - ๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ // ๐—ฃ๐—ฎ๐—ถ๐—ป๐˜ ๐—ฌ๐—ผ๐˜‚๐—ฟ ๐—™๐—ถ๐—น๐—บ!
Free and open workshop with Alexandre Alagรดa
Paint your film! is a cameraless filmmaking workshop lectured by Alexandre Alagรดa that invites all participants to create a collective 16mm analogfilm. Instead of using any cameras, screens or digital devices, visitors paint directly on the surface of the film strip with different materials โ€” pens, markers and brushes โ€” with the goal of creating one single film composed by all sorts of abstract and formless shapes. Whetherfamiliar or total strangers, the workshop invites synergetic participation and a collaborative haptic experience between everyone involved, fostering a shared sense of playfulness and curiosity towards the history of experimental film approaches.
๐Ÿญ๐Ÿฒ:๐Ÿฏ๐Ÿฌ - ๐Ÿญ๐Ÿด:๐Ÿฌ๐Ÿฌ // ๐—Ÿ๐—ผ๐˜ƒ๐—ฒ ๐——๐—ถ๐—น๐—ฒ๐—บ๐—บ๐—ฎ๐˜€ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐— ๐—ผ๐—ฑ๐—ฒ๐—ฟ๐—ป ๐—ฆ๐—ผ๐—ฐ๐—ถ๐—ฒ๐˜๐˜†
๐—ฃ๐˜‚๐—ฏ๐—น๐—ถ๐—ฐ ๐˜๐—ฎ๐—น๐—ธ ๐˜„๐—ถ๐˜๐—ต ๐˜๐—ต๐—ฒ ๐˜€๐—ผ๐—ฐ๐—ถ๐—ผ๐—น๐—ผ๐—ด๐—ถ๐˜€๐˜ ๐—ฃ๐—ผ๐—น๐—ถ๐—ป๐—ฎ ๐—”๐—ฟ๐—ผ๐—ป๐˜€๐—ผ
Polina Aronson is a sociologist, author, and journalist whose work explores emotions, intimacy, migration, and the ways social change shapes our understanding of relationships and care. She holds a PhD in Sociology from the University of Warwick and has conducted research at institutions including Charitรฉ in Berlin, the German Institute for Human Rights, and Ben-Gurion University, and is an Einstein Forum Fellow. Alongside her academic work, she is a co-editor at dekoder and has contributed to international publications including The Guardian, AEON, Neue Zรผrcher Zeitung, Colta, and openDemocracy. She is the author of Love: DIY. How We Became Managers of Our Feelings, a book examining how contemporary culture and the language of self-management have transformed the ways we experience and talk about love.
๐Ÿญ๐Ÿด:๐Ÿฏ๐Ÿฌ - ๐Ÿฎ๐Ÿฌ:๐Ÿฏ๐Ÿฌ // ๐—ง๐—ฒ๐—ฟ๐—ฟ๐—ถ๐˜๐—ผ๐—ฟ๐˜† ๐˜„๐—ถ๐˜๐—ต๐—ผ๐˜‚๐˜ ๐˜„๐—ฎ๐—ฟ ๐—ฏ๐˜† ๐—ง๐—ฎ๐˜†๐—ฎ ๐—ญ๐˜‚๐—ฏ๐—ผ๐˜ƒ๐—ฎ
Movie projection followed by open conversation with Taya Zubova & Olga Kuzmina
60 min ยท Slovakia ยท 2024
Russian (original language) with English subtitles
16+ // War topics, psychological trauma, mild strong language
What can stand against war and hatred? Ukrainians, Russians, and Belarusians answer this question in the film Territory Without War. Though separated by much, the tragic stories of Ukrainians, conscientious objectors, and politically persecuted Russians and Belarusians share a common thread: love for their families and the impossibility of returning home. The film brings hope and reminds us that we are not aloneโ€”there are always people nearby ready to choose love over hatred.

๐Ÿฎ๐Ÿฎ:๐Ÿฌ๐Ÿฌ - ๐Ÿฌ๐Ÿญ:๐Ÿฌ๐Ÿฌ // ๐——๐— ๐˜€๐—ฒ๐˜ @๐—ฅ๐—ฎ๐˜๐—ฒ๐—น๐—ฎ๐—ฐ๐—ต ๐˜„๐—ถ๐˜๐—ต ๐—ž.๐—น๐—ฒ๐—ผ.๐—ฝ๐—ฎ๐˜๐—ฟ๐—ฎ

๐—ฆ๐—จ๐—ก๐——๐—”๐—ฌ ๐Ÿญ๐Ÿฑ๐˜๐—ต ๐—ก๐—ข๐—ฉ๐—˜๐— ๐—•๐—˜๐—ฅ (๐Ÿญ๐Ÿฌ:๐Ÿฌ๐Ÿฌ - ๐Ÿญ๐Ÿด:๐Ÿฌ๐Ÿฌ)
๐Ÿญ๐Ÿฌ:๐Ÿฌ๐Ÿฌ - ๐Ÿญ๐Ÿฎ:๐Ÿฌ๐Ÿฌ // ๐—–๐—ฎ๐˜‚๐˜€๐—ฒ๐—ฟ๐—ถ๐—ฒ ๐— ๐—ผ๐—ฟ๐˜๐—ฒ๐—น๐—น๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐—–๐—ฟ๐—ถ๐˜€๐˜๐—ถ๐—ป๐—ฎ ๐—ฃ๐—ถ๐—ฐ๐—ฐ๐—ผ
Death: letโ€™s just talk about it // Based on the format of Death Cafes
A personal story, an anecdote, a meaningful experience, a question you never dared to ask โ€“ or simply something beautiful to share ?
Causerie Mortelle is an invitation to talk freely abouth death, dying and grief, without judgment and without a set agenda. It is not a grief support group pr a counselling session. It is an informal collective conversation. a space to listen, exchange stories, be curious โ€“ and sometimes laugh.
Because talking about death, it's a way of hooring life.
Free entry, registration required: [email protected]
A cathering will be offered by the city of Esch after the workshop.
๐Ÿญ๐Ÿฐ:๐Ÿฌ๐Ÿฌ - ๐Ÿญ๐Ÿฒ:๐Ÿฌ๐Ÿฌ // ๐—ฆ๐—บ๐—ผ๐—ธ๐—ฒ ๐—ฆ๐—ฎ๐˜‚๐—ป๐—ฎ ๐—ฆ๐—ถ๐˜€๐˜๐—ฒ๐—ฟ๐—ต๐—ผ๐—ผ๐—ฑ ๐—ฏ๐˜† ๐—”๐—ป๐—ป๐—ฎ ๐—›๐—ถ๐—ป๐˜๐˜€
Movie projection followed by open conversation with Anna Hints & Franziska Peschel
89 min ยท Estonia & France ยท 2023
Estonian (original language) with English subtitles
16+ // Nudity, sexual violence, domestic abuse, illness, abortion, pregnancy loss, discussion of body image
A visually stunning film about femininity and solidarity, exploring the healing power of a sauna ritual. Deep in the Estonian forests lies a sauna where women gather to immerse themselves in rituals, draw closer to one another, laugh together and sweat out their pain. The women share stories and experiences that are both relatable and universal, offering an intimate, personal glimpse into the most profound sense of togetherness, where drops of sweat, water and tears mingle.
๐Ÿญ๐Ÿณ:๐Ÿฌ๐Ÿฌ - ๐Ÿญ๐Ÿด:๐Ÿฌ๐Ÿฌ // ๐—–๐—น๐—ผ๐˜€๐—ถ๐—ป๐—ด ๐˜„๐—ผ๐—ฟ๐—ฑ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐—ถ๐—ป๐—ธ๐˜€
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